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The Voice of an Angel
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Vous avez sélectionné:
The Voice of an Angel
Partitions à imprimer
496 partitions trouvées
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Gathering - an original hymn for SATB voices
Gathering - an original hymn for SATB voices
#
Voix seule
#
INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Gathering - an original hymn f
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Kevin G. Pace
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.701527 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #322...
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Vocal Solo,Voice - Level 4 - SKU: A0.701527 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #3224905. Published by Kevin G. Pace (A0.701527). An original hymn with text by Krista Mason Pace below.YouTube video: https://youtu.be/c9lVXglYbCoTeaching His children, Jesus spoke softly, Gathering all of His followers there. He taught the kingdom of God on this earth Was as man sewing good seeds in fields with great care. Then, while sleeping at night, an enemy came And sowed the tares among the wheat in shame. Soon when the wheat grew, showing great promise, Tares also covered the space all around. Knowing the young roots were tender and new, Then the man, in great wisdom, approached his good ground. Let them both grow together. Harvest time waits. The tares and wheat then gathered to their fates. Now is the harvest. Gather together All the elect from the quarters of earth. Those who will call on the Savior in faith, And in places of holiness stand with true worth. For the angels are waiting for their command. Come gather close to reach His outstretched hand.
$1.99 ≈
1.83€
Bethlehem Angel and The First Noel
Bethlehem Angel and The First Noel
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Noël
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Ginny Saltzman
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Bethlehem Angel and The First
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Ginny's House of Music
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Sc...
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Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Score and parts. 9 pages. Ginny's House of Music #4362443. Published by Ginny's House of Music (A0.889815). *Bethlehem Angel and The First Noel This is a very beautifully flowing presentation which includes both an original work by this composer entitled Bethlehem Angel and an arrangement of The First Noel. It includes scriptures and lyrics. It was written for flute, guitar, voice, and piano accompaniment on Intermediate Level.  It is based on the scriptures Luke 2: 8-11 --- And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord and Matthew 2:1-10 ---- Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. When Herod the king had heard these things, he was troubled, and all Jerusalem with him. And when he had gathered all the chief priests and scribes of the people together, he demanded of them where Christ should be born. And they said unto him, In Bethlehem of Judaea: for thus it is written by the prophet, And thou Bethlehem, in the land of Judea, art not the least among the princes of Judea: for out of thee shall come a Governor, that shall rule my people Israel. Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared. And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also. When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was. When they saw the star, they rejoiced with exceeding great joy.Â
$4.99 ≈
4.59€
O Little Town of Bethlehem - SATB and Piano
O Little Town of Bethlehem - SATB and Piano
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Noël
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Phillips Brooks and Lewis H Re
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Connie Boss
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O Little Town of Bethlehem - S
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Piano Accompaniment,Soprano voice,Tenor Voice - Level 3 - SKU: A0.1318498 Composed by Phillips Brooks and Lewis H Redner. Arranged...
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Alto Voice,Bass Voice,Piano Accompaniment,Soprano voice,Tenor Voice - Level 3 - SKU: A0.1318498 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Christian,Christmas,Holiday. 10 pages. Connie Boss #907165. Published by Connie Boss (A0.1318498). This version has an optional beginning. I have choir humming for the first three measure. There is a soloist that starts singing after that. The optional part is to not play the piano until half way through the verse. There is accompaniment if you prefer. You can hear on the mp3 how it sounds being a cappella until then. It is for SATB voices. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. For any questions or requests, email cdboss@cvalley.netLyrics below:O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go byYet in thy dark streets shinethThe everlasting lightThe hopes and fears of all the yearsAre met in Thee tonight Shepherds watching o’re their flocksSaw a light star downThen they noticed that it’s lightLit up a little townFor Christ is born of MaryAnd, gathered all aboveWhile mortals sleep, the angels keepTheir watch of wondering loveO morning stars, togetherProclaim the Holy birthAnd praises sing to God the KingAnd peace to men on earth Shepherds followed the bright starAnd they were so amazedPeople gathered all aroundSinging hymns of praiseO Holy Child of BethlehemDescend to us, we prayCast out our sin and enter inBe born for us todayWe hear the Christmas angelsThe great glad tidings tellO come to us, abide with usOur Lord Emmanuel In a stable was a childBorn for all to seeHis mother always by His sideThe newborn Prince of peace O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go by.
$7.99 ≈
7.36€
O Little Town of Bethlehem - SATB a cappella
O Little Town of Bethlehem - SATB a cappella
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Chorale SATB
#
INTERMÉDIAIRE
#
Noël
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Phillips Brooks and Lewis H Re
#
Connie Boss
#
O Little Town of Bethlehem - S
#
Connie Boss
#
SheetMusicPlus
Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 3 - SKU: A0.1318619 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. A C...
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Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 3 - SKU: A0.1318619 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. A Cappella,Christian,Christmas,Holiday. 9 pages. Connie Boss #907297. Published by Connie Boss (A0.1318619). This version is for SATB voices. It has the original melody with pretty harmonies added. There are solo, duet and complete choir singing the words. Humming and ahhs are used for the solo and duets. The melody is more for an alto range. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. For any questions or requests, email cdboss@cvalley.netLyrics below:O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go byYet in thy dark streets shinethThe everlasting lightThe hopes and fears of all the yearsAre met in Thee tonight Shepherds watching o’re their flocksSaw a light star downThen they noticed that it’s lightLit up a little townFor Christ is born of MaryAnd, gathered all aboveWhile mortals sleep, the angels keepTheir watch of wondering loveO morning stars, togetherProclaim the Holy birthAnd praises sing to God the KingAnd peace to men on earthShepherds followed the bright starAnd they were so amazedPeople gathered all aroundSinging hymns of praiseO Holy Child of BethlehemDescend to us, we prayCast out our sin and enter inBe born for us todayWe hear the Christmas angelsThe great glad tidings tellO come to us, abide with usOur Lord EmmanuelIn a stable was a childBorn for all to seeHis mother always by His sideThe newborn Prince of peaceO little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go by.
$5.99 ≈
5.52€
The Prisoners Shall Surely Go Free - an original hymn for SATB voices
The Prisoners Shall Surely Go Free - an original hymn for SATB voices
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Voix seule
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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The Prisoners Shall Surely Go
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Kevin G. Pace
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.701678 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #...
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Vocal Solo,Voice - Level 4 - SKU: A0.701678 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #3245553. Published by Kevin G. Pace (A0.701678). An original hymn with text by Mark Fotheringham below.YouTube video: https://youtu.be/xRnYpEOK4w4Let all ye mountains and valleys cry aloud And all ye seas and dry land shout it out. Let all the dead speak forth anthems of praise For the Lord in His glory shall open the graves. Then shall the righteous remember and see; For the prisoners shall surely go free. Sun, moon, and stars sing together to our Lord. All sons of God shout for joy at His Word. Let all creation remember His name, Since the day that He made them, He still is the same; Purging our stains when from darkness we flee, For the prisoners shall surely go free. What do we hear in the gospel we receive? Voices of truth to the souls who believe, Angels of God crying truth is restored, Ancient words rising from the dust as the prophets implored, Line upon line heard in grand harmony For the prisoners shall surely go free.
$1.99 ≈
1.83€
(i Stayed) Too Long At The Fair
(i Stayed) Too Long At The Fair
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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Billy Barnes
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Daniele Buatti
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(i Stayed) Too Long At The Fai
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Daniele Buatti
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1296740 Composed by Billy Barnes. Arranged by Daniele Buatti. Broadway,Jazz,Musical/Show. Score. 7 pages. Daniele ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1296740 Composed by Billy Barnes. Arranged by Daniele Buatti. Broadway,Jazz,Musical/Show. Score. 7 pages. Daniele Buatti #886907. Published by Daniele Buatti (A0.1296740). This arrangement is based off of (I Stayed) Too Long At The Fair as performed by Barbara Streisand on the album Voice of an Angel: The Beginning.As much of the piano accompaniment has been included but you are encouraged to ad lib and play what you feel around the chord changes. Have I Stayed Too Long at the FairBarbra Streisand Voice of an Angel: The Beginning ℗ 2022Wet Music Released on: 2022-01-31.
$4.99 ≈
4.59€
In The Arms Of An Angel
In The Arms Of An Angel
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Piano, Voix
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Hal Dickens
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In The Arms Of An Angel
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Hal Dickens
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.898041 Composed by Hal Dickens. Broadway,Film/TV,Musical/Show. Score. 5 pages. Hal Dickens #4767395. Published by Hal Dicken...
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Piano,Vocal,Voice - SKU: A0.898041 Composed by Hal Dickens. Broadway,Film/TV,Musical/Show. Score. 5 pages. Hal Dickens #4767395. Published by Hal Dickens (A0.898041). The incredible Chloe Dichoso sings In The Arms Of An AngelHer awesome Youtube channel is here: https://www.youtube.com/user/1996choirgirl
$3.99 ≈
3.67€
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99 ≈
5.52€
Angels We Have Heard on High
Angels We Have Heard on High
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Chorale
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Noël
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Trevor Manor
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Trevor Manor
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Angels We Have Heard on High
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Chorister\'s Guild - Digital
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SheetMusicPlus
Unison choir/Two-part choir/Three-part choir - Composed by Trevor Manor. Arranged by Trevor Manor. Christmas, Epiphany. Heather Potter. Octavo. 16 p...
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Unison choir/Two-part choir/Three-part choir - Composed by Trevor Manor. Arranged by Trevor Manor. Christmas, Epiphany. Heather Potter. Octavo. 16 pages. Chorister\'s Guild - Digital #CGA1460. Published by Chorister\'s Guild - Digital
Trevor Manor\'s outstanding treble arrangement of this beloved Christmas carol is sure to delight your choristers and congregation. What better carol refrain to feature the voices of children - whether they sing the familiar \"Gloria\" melody or the buoyant harmony. Each stanza receives a thoughtful treatment from Trevor in voicing and instrumentation, making this a truly memorable story-anthem. Add the optional instrumentation for an exceptional ensemble accompaniment.
$2.10 ≈
1.93€
The Voice of an Angel
The Voice of an Angel
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Nathan Groenendyk
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The Voice of an Angel
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Nathan Groenendyk
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SheetMusicPlus
Guitar,Piano,Voice - SKU: A0.1068806 Composed by Nathan Groenendyk. Holiday,Love,New Age,Pop,World. Accompaniment. Duration 251. Nathan Groenendyk #3248...
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Guitar,Piano,Voice - SKU: A0.1068806 Composed by Nathan Groenendyk. Holiday,Love,New Age,Pop,World. Accompaniment. Duration 251. Nathan Groenendyk #3248537. Published by Nathan Groenendyk (A0.1068806). Nathan Groenendyk's first pop style composition. .
$1.99 ≈
1.83€
Hollinfare Te Deum for men's voices and organ
Hollinfare Te Deum for men's voices and organ
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Chorale 3 parties
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INTERMÉDIAIRE
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David Warin Solomons
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Hollinfare Te Deum for men's v
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David Warin Solomons
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SheetMusicPlus
Choral Choir,Choral (3-Part) - Level 3 - SKU: A0.576393 Composed by David Warin Solomons. 20th Century,Contemporary,Sacred,Spiritual. 9 pages. David War...
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Choral Choir,Choral (3-Part) - Level 3 - SKU: A0.576393 Composed by David Warin Solomons. 20th Century,Contemporary,Sacred,Spiritual. 9 pages. David Warin Solomons #20919. Published by David Warin Solomons (A0.576393). St Helen's church in Hollinfare celebrated its 500th anniversary in 1997 and invited the gentlemen of Manchester Cathedral Choir to sing at the celebratory service. The service included a Te Deum and Jubilate, which I wrote especially for the purpose. The Te Deum is a full setting with organ and alto, tenor and bass singers. The Jubilate is a psalm chant. Both are available on this site. The sound sample in each case is the original performance.The words of the Te Deum are: We praise thee, O God : we acknowledge thee to be the Lord. All the earth doth worship thee : the Father everlasting. To thee all Angels cry aloud : Â the Heavens, and all the Powers therein. To thee Cherubim and Seraphim : continually do cry, Holy, Holy, Holy : Lord God of Hosts; Heaven and earth are full of the Majesty : of thy glory. The glorious company of the Apostles : praise thee. The goodly fellowship of the Prophets : praise thee. The noble army of Martyrs : praise thee. The holy Church throughout all the world : doth acknowledge thee; The Father : of an infinite Majesty; Thine honourable, true : and only Son; Also the Holy Ghost : the Comforter. Thou art the King of Glory : O Christ. Thou art the everlasting Son : of the Father. When thou tookest upon thee to deliver man : thou didst not abhor the Virgin's womb. When thou hadst overcome the sharpness of death : thou didst open the Kingdom of Heaven to all believers. Thou sittest at the right hand of God : in the glory of the Father. We believe that thou shalt come : to be our Judge. We therefore pray thee, help thy servants : whom thou hast redeemed with thy precious blood. Make them to be numbered with thy Saints : in glory everlasting. O Lord, save thy people : and bless thine heritage. Govern them : and lift them up for ever. Day by day : we magnify thee; And we worship thy Name : ever world without end. Vouchsafe, O Lord : to keep us this day without sin.O Lord, have mercy upon us : have mercy upon us. O Lord, let thy mercy lighten upon us : as our trust is in thee. O Lord, in thee have I trusted : let me never be confounded.
$2.99 ≈
2.75€
"Wade in the Water" from Crossing Jordan for soprano, cello and piano
"Wade in the Water" from Crossing Jordan for soprano, cello and piano
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Spiritual
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Maria Thompson Corley
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"Wade in the Water"
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Maria Thompson Corley
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1284056 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditiona...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1284056 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. Score. 8 pages. Maria Thompson Corley #875229. Published by Maria Thompson Corley (A0.1284056). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.
$12.99 ≈
11.96€
Sometimes You'll See Angels (Unison Choir)
Sometimes You'll See Angels (Unison Choir)
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Chorale Unison
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DÉBUTANT
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Joanna Mills
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Sometimes You'll See Angels
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Joanna Mills Music
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.781353 Composed by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 6 pages. Joa...
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Choral Choir (Unison) - Level 1 - SKU: A0.781353 Composed by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 6 pages. Joanna Mills Music #4852657. Published by Joanna Mills Music (A0.781353). This lovely unison (or solo) Christmas song is perfect for children's choirs or youth choirs-- use it in your Christmas Pageant, Christmas Concert, or your Lessons & Carols service! It describes the mystery of the angelic visitors who appear throughout the Christmas story, and is pitched in an accessible key for most voices. The simple melody and bridge is easy to learn, even for very young children, and it includes an optional easy counterpoint near the end of the song. Approximate performance time: 2:15. (Also available for 2-part choirs)This is one song from the complete children's musical That's How The Story Goes - also available here.Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.
$1.99 ≈
1.83€
Sometimes You'll See Angels (2-Part Choir)
Sometimes You'll See Angels (2-Part Choir)
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Chorale 2 parties
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DÉBUTANT
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Joanna Mills
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Sometimes You'll See Angels
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Joanna Mills Music
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SheetMusicPlus
Choral Choir (2-Part) - Level 1 - SKU: A0.781354 Composed by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 8 pages. Joa...
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Choral Choir (2-Part) - Level 1 - SKU: A0.781354 Composed by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 8 pages. Joanna Mills Music #4852665. Published by Joanna Mills Music (A0.781354). This lovely 2-part Christmas song is perfect for children's choirs or youth choirs-- use it in your Christmas Pageant, Christmas Concert, or your Lessons & Carols service! It describes the mystery of the angelic visitors who appear throughout the Christmas story, and is pitched in an accessible key for most voices. The simple melody and bridge is easy to learn, even for very young children, and it includes an optional easy counterpoint near the end of the song. Approximate performance time: 2:15. (Also available for unison choirs)This is one song from the complete children's musical That's How The Story Goes - also available at Sheet Music Plus S0.661113Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.
$1.99 ≈
1.83€
Sometimes You'll See Angels Piano Accompaniment
Sometimes You'll See Angels Piano Accompaniment
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Accompagnement Piano
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Joanna Mills
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Sometimes You'll See Angels Pi
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Joanna Mills Music
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SheetMusicPlus
Choir,Piano - SKU: A0.1069488 Composed by Joanna Mills. Children,Christian,Christmas. Accompaniment. Duration 136. Joanna Mills Music #4852677. Publishe...
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Choir,Piano - SKU: A0.1069488 Composed by Joanna Mills. Children,Christian,Christmas. Accompaniment. Duration 136. Joanna Mills Music #4852677. Published by Joanna Mills Music (A0.1069488). This lovely unison or 2-part Christmas song is perfect for children's choirs or youth choirs-- use it in your Christmas Pageant, Christmas Concert, or your Lessons & Carols service! It describes the mystery of the angelic visitors who appear throughout the Christmas story, and is pitched in an accessible key for most voices. The simple melody and bridge is easy to learn, even for very young children, and it includes an optional easy counterpoint near the end of the song. Approximate performance time: 2:15. Use this piano accompaniment track for rehearsals and/or performances.Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.
$4.99 ≈
4.59€
Sarah McLachlan - Angel
Sarah McLachlan - Angel
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Piano, Voix
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Rock
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Sarah McLachlan
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Sarah McLachlan - Angel
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Sarah McLachlan. Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaume...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Sarah McLachlan. Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer
Here's how to play "Angel" by Sarah McLachlan on piano!
"Angel" (often called "In the Arms of an Angel" or "Arms of the Angel") is one of the most emotional ballads out there, and it makes for an amazing piano cover.
With this sheet music, you get an accurate piano arrangement of the song which is playable, and sounds fantastic!
The full melody is included in the piano part, so it makes for a wonderful instrumental (piano solo) cover.
In addition, this sheet music comes with a system for the sung melody, as well as the song's full lyrics.
"Angel" is a single from Sarah McLachlan's 1997 album "Surfacing".
The Canadian singer wrote the song about Jonathan Melvoin (Smashing Pumpkins band member) who died of a heroin overdose in 1996.
It became one of her biggest hits, reached #4 on the US Billboard Hot 100, and was prominently featured in the 1998 film "City of Angels".
Sarah McLachlan's "Angel" is an amazing song to play on the piano - with this sheet music, you can play it, too!
If you like this arrangement, please consider leaving a review - it would mean a lot.
$4.99 ≈
4.59€
Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani
Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani
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Noël
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Felix Mendelssohn / W
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Todd Marchand
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Hark! The Herald Angels Sing &
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Con Spirito Music
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SheetMusicPlus
B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - SKU: A0.1272749 Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Ch...
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B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - SKU: A0.1272749 Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Christmas,Holiday,Sacred,Traditional. 23 pages. Con Spirito Music #864944. Published by Con Spirito Music (A0.1272749). One of the “Great Four†Anglican hymns of the 19th century, Charles Wesley’s (1707-1788) “Hark! The Herald Angels Sing†first appeared in the 1739 collection, Hymns and Sacred Poems, by Wesley and his brother John (1703-1791) under the title “Hymn for Christmas-Day.â€Based on a verse from the Gospel of Luke (“Glory to God in the highest, and on earth peace, good will toward men.†— 2:14), the hymn tells of an angelic host singing praises from Heaven above to Christ — the God incarnate, Savior and Redeemer of the world. George Whitefield, a fellow Anglican cleric and founder with the Wesley brothers of the evangelical movement known as Methodism, adapted the hymn and published it in his 1754 Collection of Hymns for Social Worship. Additional revisions were made by other editors, including the repetition of the opening lines, “Hark! the herald angels sing / glory to the new-born king†at the end of each stanza, as it is commonly sung today.Wesley envisioned his hymn being sung to the same tune as his “Christ the Lord is Risen Today†(published as “Hymn for Easter-Day†in Hymns and Sacred Poems). However, the tune MENDELSSOHN, an adaptation by English musician William H. Cummings (1831-1915) of music from Felix Mendelssohn’s 1840 secular cantata, Festgesang, is overwhelmingly associated with Wesley’s text today. This arrangement proceeds as follows:•  Introduction: brass, organ, timpani •  Verse 1: organ •  Verse 2: brass, timpani•  Interlude•  Verse 3: organ, brass, timpani, with alternate harmonizationIncludes full score, parts for Organ, Bb Trumpets 1-2, F Horn, Trombone, Tuba, Timpani, and reproducible bulletin insert for voices.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00 ≈
23.02€
Sing, My Tongue, the Glorious Battle
Sing, My Tongue, the Glorious Battle
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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St
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Lyndell Leatherman
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some were not
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Sing, My Tongue, the Glorious
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1295658 By St. Michael’s by-the-sea (using both translations). By Words: Venantius Honorius Fortunat...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1295658 By St. Michael’s by-the-sea (using both translations). By Words: Venantius Honorius Fortunatus / Music: Trad. French carol. Arranged by Lyndell Leatherman. Christian,Lent,Religious,Sacred. Score. 2 pages. Leatherman Music Services #885956. Published by Leatherman Music Services (A0.1295658). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.From the early days of Christianity, hymns have been used successfully to reinforce and spread doctrine and faith. Scholars point out a number of hymn fragments in the New Testament. For example, 1 Timothy 3:16:      He appeared in a body,       Was vindicated by the Spirit,         Was seen by angels,     Was preached among the nations,       Was believed on in the world,         Was taken up into glory.The metrical patterns made memorization of creeds easier, especially when associated with a melody.Sing, My Tongue, the Glorious Battle is a great example of an early hymn written to codify Christology (the theology of Jesus Christ), covering his birth to his death, and then ending–as many hymns did–with a doxological stanza. If I were still planning worship services, I would be intrigued by the idea of making this hymn the outline of a Lenten service...perhaps interspersing scripture or other narration between stanzas, alternating between choir and congregation, and varying the accompanying instrumental textures.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99 ≈
2.75€
Charlie's Angels - Theme
Charlie's Angels - Theme
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Film/TV
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Allyn Ferguson and Jack Elliot
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Lorenzo Bocci
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Charlie's Angels - Theme
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1388354 Composed by Allyn Ferguson and Jack Elliott. Arranged by Lorenzo Bocci. Film/TV. 111 pages. Lorenzo Bocci #9719...
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Concert Band - Level 3 - SKU: A0.1388354 Composed by Allyn Ferguson and Jack Elliott. Arranged by Lorenzo Bocci. Film/TV. 111 pages. Lorenzo Bocci #971952. Published by Lorenzo Bocci (A0.1388354). CHARLIE'S ANGELS - THEME From The Television Seriesfor Concert Band (with Fanfare Band parts) - Grade 3 - Â Composed by Allyn Ferguson, Jack Elliott. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 2'38''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Congas), Electric Guitar, Keyboard.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Charlie's Angels is an American crime drama television series that aired on ABC from September 22, 1976, to June 24, 1981. The series follows the crime-fighting adventures of three women working at a private detective agency in Los Angeles, California, and originally starred Kate Jackson, Farrah Fawcett, and Jaclyn Smith in the leading roles and John Forsythe providing the voice of their boss, the unseen Charlie Townsend, who directed the crime-fighting operations of the Angels over a speakerphone. The theme music was written by Jack Elliott and Allyn Ferguson.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00 ≈
81.94€
The Sense of a Place Will Remain
The Sense of a Place Will Remain
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Chorale SATB
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Contemporain
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Paul Burnell
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The Sense of a Place Will Rema
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Paul Burnell
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835...
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Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95 ≈
7.32€
The Best Hymns of All Time (for Strings) Book 1
The Best Hymns of All Time (for Strings) Book 1
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Musique Sacrée
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Various
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Worship, General Worship
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Prais...
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String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship. Score, Set of Parts. 60 pages. Published by Colin Kirkpatrick Publications
The Best Hymns of All Time
Arranged for Strings by Colin Kirkpatrick
Book 1
We?re really excited to present our collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts but could be used with virtually any combination of stringed instruments from string quartet upwards. Book 1 includes full four-part instrumental scores plus parts for 1st violin, 2nd violin, viola and cello/double bass reading from the same part. There?s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. To make the music accessible to less experienced string players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position. However, to produce a brighter and richer sound, a few of the more experienced violinists could play an octave higher. You can hear this effect in the audio sample.
These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you?ll ever need. The score and all the parts are contained in a single 60-page PDF file.
Book 1 contains the following twenty popular hymns: Abide with Me (Eventide); All Glory, Laud and Honor (St. Theodulph); All Hail the Power of Jesus' Name (Coronation); All Through the Night (Ar Hyd y Nos); City of God, How Broad and Far (Richmond - Haweis); Fairest Lord Jesus (Crusader?s Hymn); Fight the Good Fight (Duke Street); Forth in Thy Name (Angel's Song, Song 34); Guide Me, O Thou Great Redeemer (Cwm Rhondda); He who Would Valiant Be (Monk?s Gate); Holy, Holy, Holy! (Nicea); I Heard the Voice of Jesus Say (Kingsfold); Jesu, Lover of my Soul (Aberystwyth); Nearer my God to Thee (Bethany); Now Thank We All Our God (Nun Danket); O Worship the King (Hanover); Rejoice, the Lord is King (Darwall?s 148th); Soldiers of Christ, Arise (Diademata); The Lord?s my Shepherd (Crimmond); What a Friend we Have in Jesus (Converse).
The audio samples include Abide with me (Eventide); All Through the Night (Ar Hyd y Nos); Nearer my God to Thee (Bethany), Soldiers of Christ, Arise (Diademata) and What a Friend we Have in Jesus (Converse). The music has been set in string-friendly keys so they are not compatible with the brass or wind publications of the same name.
$25.99 ≈
23.93€
The Ballad of Little Boy Blue, Eugene Field, poet
The Ballad of Little Boy Blue, Eugene Field, poet
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Voix Soprano, Piano
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FACILE
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Mary Ann Joyce
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The Ballad of Little Boy Blue,
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Mary Ann Joyce-Walter
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.989229 Composed by Mary Ann Joyce. Celtic,Concert. 8 pages. Mary Ann Joyce-Walter #6207001. Published by Ma...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.989229 Composed by Mary Ann Joyce. Celtic,Concert. 8 pages. Mary Ann Joyce-Walter #6207001. Published by Mary Ann Joyce-Walter (A0.989229). A familiar 19th century Irish ballad by the Irish poet, Eugene Field. The poem and the music are touching and sad: there are toys in the attic covered with dust, and the little toy soldier is red with rust, and his musket molds in his hands. There was a time when the toys were new and Little Boy Blue kissed them and put them there. He told them not to leave until he came to get them, but - an angel song awakened Little Boy Blue, and the years past. The faithful toys stayed in the place where he put them, but they wondered sorrowfully what happened to their Little Boy Blue..
$4.99 ≈
4.59€
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.09€
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
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Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99 ≈
17.48€
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